Light and color
I build every piece the way a painter builds a canvas: light first, then color. Color realism lives or dies by how light moves across a form.
About · Tattoo Artist
BORZTattoo Artist · Color realism & neotraditional · Seattle
I’m a Turkish-born tattoo artist working in Seattle. I started out with graffiti, trained in fine art, and today I create award-winning color realism and neotraditional tattoos.
Read my story

I was born in 1992 in Ankara, Turkey’s capital. My artistic journey started early, and it started on walls, with graffiti.
From 2010 to 2015 I studied Art Education at Gazi University in Ankara, training in painting, composition, color theory and traditional fine-art techniques. Between 2012 and 2015 I also worked on illustration and animation for “Pırıl”, an animated project produced for TRT Çocuk, the children’s channel of Turkey’s national public broadcaster. It was my first real lesson in visual storytelling.
Painting taught me to see light. Tattooing taught me to build it on skin.
In 2015 I began tattooing professionally and refined my craft in tattoo studios in Turkey. From 2020 to 2024 I ran my own studio, which gave me the freedom to follow my own artistic direction.
In December 2024 I moved to the United States to take my career international, and I’ve been working in Seattle ever since. My work has earned seven awards at US tattoo arts festivals, three of them first places, and it has been featured in the tattoo publications Tattoo Magazin and Skin Artists Tattoo Magazine.
What drives me now is simple: pushing color realism further, both technically and aesthetically.
For me, each tattoo is an original artwork, designed in dialogue with the human body. I read the light, the anatomy and the way skin moves, then compose the piece around them: color, contrast and depth working together, so the image feels alive on the person who wears it.
Scroll to travel through the years.
I was born in Ankara, Turkey’s capital, and found art early: on walls, with graffiti.
Art Education at Gazi University (2010–2015): painting, composition, color theory and traditional fine-art techniques.
Illustration and animation for “Pırıl”, an animated project produced for TRT Çocuk (2012–2015). My first lessons in visual storytelling.
I began my professional tattoo career and refined my craft in tattoo studios in Turkey.
Running my own studio (2020–2024) gave me the freedom to pursue independent artistic work.
In December I moved to the United States to take my career international, and made Seattle my base.
2nd place in the Hand and Neck category at the Tampa Tattoo Arts Festival.
Six awards at the Chicago and Cleveland Tattoo Arts Festivals, three of them first places.
Working from Seattle, focused on pushing the technical and aesthetic possibilities of color realism.
I build every piece the way a painter builds a canvas: light first, then color. Color realism lives or dies by how light moves across a form.
Contrast gives a tattoo its punch; depth gives it life. I plan values carefully so the image reads clearly from across the room and still rewards a closer look.
Each tattoo is an original artwork designed in dialogue with the human body. Anatomy, placement and movement shape the composition from the very first sketch.
My foundation is fine art. Classical painting and traditional oil-painting techniques, together with contemporary visual culture, shape how I compose, light and finish every piece.
Since moving to the US, I’ve brought my work to the competition floor at tattoo arts festivals. Here is every award so far, newest first.
My work has been featured in tattoo publications, and I’m a sponsored artist with EMALLA, an international tattoo equipment brand.
A great tattoo starts with a safe session. These are the standards I follow with every client, every time.

Every needle and cartridge is new, comes sealed and is used for one client only, then disposed of safely.
Gloves, ink caps and everything that touches the tattoo are single-use and opened fresh for your session.
Machines, cords, bottles and work surfaces are covered with disposable barrier film.
Every surface is cleaned and disinfected before and after each session.
You leave with clear aftercare instructions, and you can text me with any questions while it heals.
Pushing color realism further, one piece at a time.
Ahmet Özaydın
BORZ · Tattoo Artist · Seattle
Booking
Tell me about the piece you have in mind: the subject, the placement and the size. I’ll get back to you and we’ll find a date.
Or text me at +1 (206) 496-5993
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